September 17 - October 29, 2022
Ron Griffin’s paintings have been aptly described as “readymades in reverse.” They deliver the cool alienation of Marcel Duchamp’s famous strategy while accepting none of the accompanying labor-saving advantages so prized within today’s neoliberal economies, art and otherwise. Quite the contrary. For while Griffin’s artworks are similarly under-committed along the axis of content—often featuring small bits of paper and plastic detritus casually plucked off the sidewalk—they are wildly over-committed along the axis of form, as Griffin exactingly “reproduces” his found objects in paint materials at a precise 1:1 scale. A related body of work begins with wax paper toilet seat covers (Duchamp again) of the sort found in public bathrooms.